Ghost Marriage


Other Reports of Ghost Marriage



Come, I hereby pronounce you as husband and wife, in hell

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(Source from: http://www.stthomasu.ca/~parkhill/cj01/irepsw.htm)

"Spirit Brides". Gods, Ghosts and Ancestors. By Jordan, David K. 1972.

Hell marriage in the rural Taiwanese village of Bo-an, is incredibly popular. After all, marrying the spirit of a dead girl is better than suffering from her ghostly wrath. As soon as the ancestral tablet is established on her new family's altar, the spirit and all her ill effects disappear becoming part of the innocuous world of ancestors. The shame and danger of an unmarried girl vanishes.

In the tradition system of hell marriage, it didn't even matter who the groom was. The unhappy girl's spirit would appear to her family in a dream. Given the fact that ghosts are known to be sources of misfortune, it isn't much of a mental leap to deduce that an unmarried daughter is trouble. Although she was a member of her father's house during her life, her natal family cannot maintain her spirit in the afterlife. She needs to beget sons of her own to secure ancestor worship. Without sons, a woman cannot have an active role in her community. As one ancient sage put it, unmarried women don't take part in rites when alive, so why should they when they are dead? It is an easy diagnosis for the shaman. It also happens to be a prescription she can fill herself. Most shamans also rent the equipment necessary for a spirit marriage.

In some parts of China, the ghost's family proceeds to leave a red envelop in the road. The man who happens upon it first will be the husband. (a dowry is added as an incentive). In Bo-an, a variation has sprung up in which the chosen groom is the husband of the ghost's sister; specifically requested by the deceased!

On the designated wedding day, the hell marriage takes place, mixing elements of a funeral as well as a wedding. The dead girl's tablet is brought out from its secluded place in her old room or behind a door. It is fitted into the back of the mannequin bride. The dummy is really extraordinary. It sits, some 80 cm tall, leering. It is all lace and obscenity. Made of paper and cloth, with oversized head and children's shoes she awaits her marriage. She is dressed with care in three layers or red and white lace and her fingers and arms are adorned with false gold - just like a real bride. The play here is dead serious. Only the bride smiles, something a real bride would never do. Her face stolen from a Japanese calendar and pasted on, she looks at her company, triumphant. The two families burn incense and exchange token gifts. She is then moved to the groom¡¦s house.

After a second day of feasting, the effigy is committed to fire, her clothes returned to the shaman and her tablet on the home altar where it will remain permanently. The layers of her clothing, the seven sticks of incense burned all proclaim the fact that this has been a proper funeral as well as a marriage. Everyone hopes that this will be the end of the bride. However modest she may have been in her lifetime, in her death she is unwomanly in her dominance and aggression. The bitterness of her spiritual limbo need never be experienced by a man. When young men die they are never without sons. If they haven't had the time or good fortune to have their own, adoption is possible. If they didn't have time to make this arrangement in life, after their death they are given sons from their nephews or brothers. Such a massive rewriting of the family organization shows how vitally important men are in the community. Women are forced into less acceptable avenues to assert themselves. They come perilously close to oblivion. In both cases one thing is obvious. The dead must be in order for the living to be at peace. A hell marriage can be just the thing for a tranquil life.


(Source from: http://www.sacu.org.uk/marriage.html)

Almost everyone got married in the traditional society. The family needed children partly for economic reasons, to continue the line, and to ensure that there would be sacrifices to their parents after their deaths.
The match-maker would first determine the bazi (¤K¦r)of the girl, whom she would take to the family of an eligible boy, who would lay the red paper with the bazi before the Kitchen God. The boy's family would then consult a fortune-teller about the compatibility of the girl and boy. In the event of there being several girls who wanted to marry the boy, the family would have to choose: a bad choice could later be blamed on the matchmaker or on Fate, manifested in the bazi horoscopes.
After the engagement was announced, betrothal gifts were given to the bride's family, and a dowry sent. After the wedding ceremony, the couple would settle in the groom's house. The young bride would be expected to work under the instruction of her mother-in-law, and the cruel mother-in-law is a frequent theme in Chinese literature.

Even if the son died, he could still be married. In such cases his place in the wedding ceremony would be taken by a white cockerel. After this 'ghost' marriage, the woman could adopt a son, who would then be able to transmit the family's surname down to future generations.


A Scary Chinese Urban Legend about Ghost Marriage

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Reference

  • Scholar Journal titled "Ghost Marriages Among the Singapore Chinese", by Marjorie Topley, Man, Vol. 55 (Feb., 1955), 29-30. View PDF here.

  • Scholar Journal titled "Ghost Marriages Among the Singapore Chinese: A Further Note", by Marjorie Topley, Man, Vol. 56 (May., 1956), 71-72. View PDF here.

  • Scholar Journal titled "Spiritual Bonds to The Dead in Cross-Cultural and Historical Perspective: Comparative Religion and Modern Grief", by Dennis Klass and Robert Goss, Webster University, St. Louis, Missouri, USA. View PDF here.

  • Scholar Journal titled "Can a Person Really Survive After Death?", by Bryan J. Williams, The Journal of Religion and Psychical Research. View PDF here.
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